Sabine Fbx 2400 Manual

[. . . ] OPERATING GUIDE SMARTFILTERS with CONTENTS SECTION ONE -- FRONT & BACK PANELS 1. 1. FBX2400 Back Panel Controls & Connections SECTION TWO -- APPLICATIONS 2. 1. FBX Setup for Insert Send & Return SECTION THREE -- ENGINEERING SPECIFICATIONS SECTION FOUR -- OPERATING INSTRUCTIONS 4. 1. How To Operate your FBX1200 / FBX2400 SECTION FIVE -- HOW TO USE FBX FEATURES 5. 1. [. . . ] Your outputs are connected to an unbalanced connector, causing a loss of 6 dB through the box. You can put your FBX in unbalanced mode, giving the box a boost of 6 dB at the outputs. To change between balanced and unbalanced mode, hold down the SETUP and RESET DYNAMICS buttons at the same time. If the system still sounds thin, your problem is probably improper use of a graphic EQ. If the problem is really the FBX, re-initialize the system and make sure the READY button LED is on steadily. Setup mode turns off automatically after the first dynamic filter is set, or you can turn it off manually by pressing the READY button. Yes; connect the output of one FBX channel to the input of the other channel. Place the FBX between the output of the mixer and the input of a power amp, and set up the channels sequentially. When combining channel A with channel B on an FBX2400, bypass channel B while setting up channel A, then lock channel A's fixed filters (all channel A's filters should be fixed) by pressing channel A's READY button on the front panel after setup. Why doesn't the FBX1200 & FBX2400 Series filter feedback immediately?Check input level of signal at the unit and set gain so the signal level LED's on the unit light up. © 2005 Sabine, Inc. 3. It may be patched in an 'effects loop', not directly in the signal path. Dynamic filters will continue to operate by notching feedback frequencies as they occur, but ultimately, gain will exceed filter capacity. LIT-FBX1200/2400-OP-EN-050817. pmd - rr 7 SECTION SEVEN -- FBX THEORY & PRACTICE 7 . 1. Feedback is certainly the most pervasive challenge to the audio industry. The potential appearance of sudden, loud, out-of-control feedback is every sound engineer's and musician's nightmare. Unlike more subtle audio quality problems or shortcomings, feedback is embarrassingly obvious -- it disturbs the performer, the audience, and the technician, and can damage equipment and just generally ruin your day. Feedback is a potential problem in any amplified sound system that places a microphone or pickup in proximity to a loudspeaker. Poor acoustical conditions or misguided use by unsophisticated sound system operators only aggravate the situation. To make matters still worse, a non-Sabine variety of wireless microphone adds yet another level of feedback danger to the picture. Since feedback erupts whenever the distance, location, and gain relationships between a speaker and a microphone reach a critical combination, a mic that can move anywhere results in an ever changing potential for feedback. A step in the wrong direction may change a clear sound to a piercing shriek in less than a second. This enhanced potential for feedback with a wireless system gets worse if lavalier microphones are used. [. . . ] WARRANTY REGISTRATION CARD SHOULD BE COMPLETED AND RECEIVED BY SABINE WITHIN FOURTEEN (14) DAYS OF THE DATE OF YOUR PURCHASE. Bring the defective item to any Authorized SABINE DEALER and present therewith the ORIGINAL PROOF OF PURCHASE supplied to you by the AUTHORIZED SABINE DEALER in connection with your purchase from him of this product. If the DEALER is unable to provide the necessary warranty service, you will be directed to the nearest other SABINE AUTHORIZED DEALER which can provide such service. 13301 HIGHWAY 441 ALACHUA, FL 32615-8544 Includetherewith a complete, detailed description of the problem, together with a legible copy of the original PROOF OF PURCHASE and a complete return address. [. . . ]

[. . . ] OPERATING GUIDE SMARTFILTERS with CONTENTS SECTION ONE -- FRONT & BACK PANELS 1. 1. FBX2400 Back Panel Controls & Connections SECTION TWO -- APPLICATIONS 2. 1. FBX Setup for Insert Send & Return SECTION THREE -- ENGINEERING SPECIFICATIONS SECTION FOUR -- OPERATING INSTRUCTIONS 4. 1. How To Operate your FBX1200 / FBX2400 SECTION FIVE -- HOW TO USE FBX FEATURES 5. 1. [. . . ] Your outputs are connected to an unbalanced connector, causing a loss of 6 dB through the box. You can put your FBX in unbalanced mode, giving the box a boost of 6 dB at the outputs. To change between balanced and unbalanced mode, hold down the SETUP and RESET DYNAMICS buttons at the same time. If the system still sounds thin, your problem is probably improper use of a graphic EQ. If the problem is really the FBX, re-initialize the system and make sure the READY button LED is on steadily. Setup mode turns off automatically after the first dynamic filter is set, or you can turn it off manually by pressing the READY button. Yes; connect the output of one FBX channel to the input of the other channel. Place the FBX between the output of the mixer and the input of a power amp, and set up the channels sequentially. When combining channel A with channel B on an FBX2400, bypass channel B while setting up channel A, then lock channel A's fixed filters (all channel A's filters should be fixed) by pressing channel A's READY button on the front panel after setup. Why doesn't the FBX1200 & FBX2400 Series filter feedback immediately?Check input level of signal at the unit and set gain so the signal level LED's on the unit light up. © 2005 Sabine, Inc. 3. It may be patched in an 'effects loop', not directly in the signal path. Dynamic filters will continue to operate by notching feedback frequencies as they occur, but ultimately, gain will exceed filter capacity. LIT-FBX1200/2400-OP-EN-050817. pmd - rr 7 SECTION SEVEN -- FBX THEORY & PRACTICE 7 . 1. Feedback is certainly the most pervasive challenge to the audio industry. The potential appearance of sudden, loud, out-of-control feedback is every sound engineer's and musician's nightmare. Unlike more subtle audio quality problems or shortcomings, feedback is embarrassingly obvious -- it disturbs the performer, the audience, and the technician, and can damage equipment and just generally ruin your day. Feedback is a potential problem in any amplified sound system that places a microphone or pickup in proximity to a loudspeaker. Poor acoustical conditions or misguided use by unsophisticated sound system operators only aggravate the situation. To make matters still worse, a non-Sabine variety of wireless microphone adds yet another level of feedback danger to the picture. Since feedback erupts whenever the distance, location, and gain relationships between a speaker and a microphone reach a critical combination, a mic that can move anywhere results in an ever changing potential for feedback. A step in the wrong direction may change a clear sound to a piercing shriek in less than a second. This enhanced potential for feedback with a wireless system gets worse if lavalier microphones are used. [. . . ] WARRANTY REGISTRATION CARD SHOULD BE COMPLETED AND RECEIVED BY SABINE WITHIN FOURTEEN (14) DAYS OF THE DATE OF YOUR PURCHASE. Bring the defective item to any Authorized SABINE DEALER and present therewith the ORIGINAL PROOF OF PURCHASE supplied to you by the AUTHORIZED SABINE DEALER in connection with your purchase from him of this product. If the DEALER is unable to provide the necessary warranty service, you will be directed to the nearest other SABINE AUTHORIZED DEALER which can provide such service. 13301 HIGHWAY 441 ALACHUA, FL 32615-8544 Includetherewith a complete, detailed description of the problem, together with a legible copy of the original PROOF OF PURCHASE and a complete return address. [. . . ]